After lunch, weaving through the smaller streets of Aix's old centre, a box in a window display caught my eye. The owner of the atelier,
Sylvianne Bertolucci, abandonned her dressmaker's manneqin and invited us in to visit her creations, costumes fabricated for the Venise Carnavale. She works downstairs in an old vaulted
sous-sol that she brought back to life herself.
Her website:
http://www.defilenreves.frSylvianne Bertolucci with a costume she created over four months.
Our destination for the afternoon was a small museum with a private collection of faience and other objets. When we arrived at the door, there was the inevitable paper sign tacked up: Museum closed. Ring for the library. Instructions on the little brass plates next to the doors said 1 ring for the museum, 2 rings for the library, so I rang twice. We heard a heavy key turning, and the heavy doors opened and a woman looked out. The library was only made available to researchers and she had not idea when the museum would next be open, which could be next year, or the year after that.
We retreated to the Cours Mirabeau where we bought a bar of dark chocolate as consolation.Robert on rue 4 septembre, of our close encounter with the museum Reine, at the Monoprix on the Cours Mirabeau...generous and helpful and a fan of Montreal which she visited and admires for (what else?) its poutine...among other things. Parking is always dicey in Aix.